Sunday, April 1, 2012
Thursday, March 22, 2012
“We all like to hope that times have changed and the war of the sexes is less like a war and more like a sophisticated dialogue. And yet, when you consider that only 5% of all the artists in the Metropolitan Museum of Art’s collection in 1989 were women, while the Louvre today still has no female artists in their collection of over 35,000 artworks, it’s a pretty shocking state of affairs. The facts suggest that the war still needs to happen.
At the Museum of Modern Art, only 8% of the work exhibited are created by women. The Tate’s female holdings? A whopping 15%. Meanwhile it’s just as bleak in commercial galleries. In 2010, an average of 23% of gallery shows in NY and London featured female artists. What’s more, is that this imbalance doesn’t only exist in fine art. It’s in Fashion, with the leading fashion photographers creating the leading fashion campaigns mostly being men. And it’s in Film, where women hold only 33% of all speaking roles and 7% of all Directors in Hollywood are women. And, the real kicker? There are still ONLY three industries in which women earn more money than men - Pornography, Prostitution and Modelling. What does that tell us?
Well, for one, the statistics don’t lie. We live in a world where man’s version of the world is more prevalent than woman’s which in turn means that the majority of images we see of women are created by men.So, for this exhibition at SHOWstudio Shop we decided to take a look exclusively at what a woman’s version of a woman looks like. Is it different? Is it the same as a man’s? Is an image of a nude woman somehow empowered in the hand’s of a female artist? Does it resist all those traditionally constructed gender roles? Does it mock an unavoidably voyeuristic male gaze? Do the women confront? Or, do we see yet more examples of the female constantly diverting her own eye, facilitating her status as the object to be looked at verses ever being the subject doing the looking, as Laura Mulvey writes in her classic essay “Visual Pleasure and Narrative Cinema?” And is John Berger still right? Though also some 20 years old, in his often-referenced “Ways of Seeing” he contends that “men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves.The surveyor of women in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.” Does all this still hold true? And if a woman creates an image of a woman, is the male perspective so engrained that she still creates a to-be-looked-at female?
(Image credit: Arm Bends (2011) by Cortney Andrews)
Thursday, March 15, 2012

Tuesday, March 13, 2012
Wednesday, March 7, 2012
Read more http://www.newyorker.com/online/blogs/comment/2012/02/rick-santorum-meet-hamza-kashgari.html#ixzz1oVTevmp9
Monday, March 5, 2012
Sunday, March 4, 2012
The Six types of Love
Eros
a passionate physical and emotional love based on aesthetic enjoyment; stereotype of romantic love
Ludus
a love that is played as a game or sport; conquest; may have multiple partners at onceStorge
an affectionate love that slowly develops from friendship, based on similarityPragma
love that is driven by the head, not the heartMania
obsessive love; experience great emotional highs and lows; very possessive and often jealous loversAgape
selfless altruistic love; spiritual

"There is no manlier sport in the world than mountaineering. It is true that all the sports Englishmen take part in are manly, but mountaineering is different from others, because it is sport purely for the sake of sport. There is no question of beating anyone else, as in a race or a game, or of killing an animal or a bird as in hunting or shooting. A mountaineer sets his skill and his strength against the difficulty of getting to the top of a steep peak. Either he conquers the mountain, or it conquers him. If he fails, he keeps on trying until he succeeds. This teaches him perseverance, and proves to him that anything is possible if he is determined to do it." —Elizabeth Hawkins-Whitshed (a.k.a. Mrs. Aubrey Le Blond) from the preface of her book True Tales of Mountain Adventure for Non-climbers Young and Old, 1903.
Sunday, February 26, 2012
Friday, February 24, 2012
Wednesday, February 1, 2012
A Time for Everything
1 There is a time for everything,and a season for every activity under the heavens:
a time to plant and a time to uproot,
3 a time to kill and a time to heal,
a time to tear down and a time to build,
4 a time to weep and a time to laugh,
a time to mourn and a time to dance,
5 a time to scatter stones and a time to gather them,
a time to embrace and a time to refrain from embracing,
6 a time to search and a time to give up,
a time to keep and a time to throw away,
7 a time to tear and a time to mend,
a time to be silent and a time to speak,
8 a time to love and a time to hate,
a time for war and a time for peace.
and what will be has been before;
and God will call the past to account.[b]
in the place of justice—wickedness was there.
both the righteous and the wicked,
for there will be a time for every activity,
a time to judge every deed.”







