butdoesitfloat
Tuesday, July 24, 2012
butdoesitfloat
Saturday, July 21, 2012
Wild and reckless, your eyes stare, untamed
I see the perfection in even your imperfections
They are just as they should be
They speak of Truth, in a language all their own
For in your beauty and your completeness, I saw you
Though you did not see me, I saw you
I know you, though you do not know yourself, nor the world around you
I know you, I know you more than I know myself
I know you by your True Name
I speak it, and you glow with a reality all your own
You stare, and I stare back into your eyes that cannot see
As I breathe upon your surface that is depth
You make me sure of a reality that never existed before you
And a future that you will never know.
Thursday, May 24, 2012
Sunday, May 20, 2012
surf
see macchu picchu
Save the top of the Eiffel Tower, London Eye, and Empire State Building until you're in love
hike the grand canyon
learn conversational spanish and french
play the guitar
canoe the fjords
take a train through the highlands
float in the dead sea
walk from Nazareth to Jerusalem
visit Petra
go hunting
visit every continent
get married
have red headed kids
adopt
teach them all the things I wish I'd learned earlier
ski the Rockies
own a motor cycle, preferably Triumph
buy a pair a loubitons
have a snow ball fight
roadtrip across America
grow a garden
raise chickens
make a difference in patients' lives
get published
teach and lead in my field
see the
run a B&B when old
Love
never settle
Thursday, May 17, 2012
Wednesday, May 16, 2012
This officially cements my obsession. Genius.
Book of Isaiah, Chapter 21, verses 5-9:
- Prepare the table, watch in the watchtower, eat, drink: arise ye princes, and prepare the shield.
- For thus hath the Lord said unto me, Go set a watchman, let him declare what he seeth.
- And he saw a chariot with a couple of horsemen, a chariot of asses, and a chariot of camels; and he hearkened diligently with much heed.
- ...And, behold, here cometh a chariot of men, with a couple of horsemen. And he answered and said, Babylon is fallen, is fallen, and all the graven images of her gods he hath broken unto the ground."
Tuesday, May 1, 2012
Sunday, April 22, 2012
Sunday, April 1, 2012
Thursday, March 22, 2012
“We all like to hope that times have changed and the war of the sexes is less like a war and more like a sophisticated dialogue. And yet, when you consider that only 5% of all the artists in the Metropolitan Museum of Art’s collection in 1989 were women, while the Louvre today still has no female artists in their collection of over 35,000 artworks, it’s a pretty shocking state of affairs. The facts suggest that the war still needs to happen.
At the Museum of Modern Art, only 8% of the work exhibited are created by women. The Tate’s female holdings? A whopping 15%. Meanwhile it’s just as bleak in commercial galleries. In 2010, an average of 23% of gallery shows in NY and London featured female artists. What’s more, is that this imbalance doesn’t only exist in fine art. It’s in Fashion, with the leading fashion photographers creating the leading fashion campaigns mostly being men. And it’s in Film, where women hold only 33% of all speaking roles and 7% of all Directors in Hollywood are women. And, the real kicker? There are still ONLY three industries in which women earn more money than men - Pornography, Prostitution and Modelling. What does that tell us?
Well, for one, the statistics don’t lie. We live in a world where man’s version of the world is more prevalent than woman’s which in turn means that the majority of images we see of women are created by men.So, for this exhibition at SHOWstudio Shop we decided to take a look exclusively at what a woman’s version of a woman looks like. Is it different? Is it the same as a man’s? Is an image of a nude woman somehow empowered in the hand’s of a female artist? Does it resist all those traditionally constructed gender roles? Does it mock an unavoidably voyeuristic male gaze? Do the women confront? Or, do we see yet more examples of the female constantly diverting her own eye, facilitating her status as the object to be looked at verses ever being the subject doing the looking, as Laura Mulvey writes in her classic essay “Visual Pleasure and Narrative Cinema?” And is John Berger still right? Though also some 20 years old, in his often-referenced “Ways of Seeing” he contends that “men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves.The surveyor of women in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.” Does all this still hold true? And if a woman creates an image of a woman, is the male perspective so engrained that she still creates a to-be-looked-at female?
(Image credit: Arm Bends (2011) by Cortney Andrews)
Thursday, March 15, 2012

Tuesday, March 13, 2012
Wednesday, March 7, 2012
Read more http://www.newyorker.com/online/blogs/comment/2012/02/rick-santorum-meet-hamza-kashgari.html#ixzz1oVTevmp9
Monday, March 5, 2012
Sunday, March 4, 2012
The Six types of Love
Eros
a passionate physical and emotional love based on aesthetic enjoyment; stereotype of romantic love
Ludus
a love that is played as a game or sport; conquest; may have multiple partners at onceStorge
an affectionate love that slowly develops from friendship, based on similarityPragma
love that is driven by the head, not the heartMania
obsessive love; experience great emotional highs and lows; very possessive and often jealous loversAgape
selfless altruistic love; spiritual

"There is no manlier sport in the world than mountaineering. It is true that all the sports Englishmen take part in are manly, but mountaineering is different from others, because it is sport purely for the sake of sport. There is no question of beating anyone else, as in a race or a game, or of killing an animal or a bird as in hunting or shooting. A mountaineer sets his skill and his strength against the difficulty of getting to the top of a steep peak. Either he conquers the mountain, or it conquers him. If he fails, he keeps on trying until he succeeds. This teaches him perseverance, and proves to him that anything is possible if he is determined to do it." —Elizabeth Hawkins-Whitshed (a.k.a. Mrs. Aubrey Le Blond) from the preface of her book True Tales of Mountain Adventure for Non-climbers Young and Old, 1903.
